Midnight Mango
The Palace, Bridgwater
Thursday 16th June 2005

Ludes

By Dan Thomas
Photo Promo Release
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Ludes interviewed are:
Dave - Vocals
Matt - Guitar
James - Keyboards
Dom -Bass
Chris - Drums


DT ­ Can we just start out with who we have here and what you do in the band?

Chris ­ I'm Chris and I play the drums in the band
Matt ­ I'm Matt and I play guitar in the band

(eventually they all come, rockstarshmph..)

DT ­ How did you all come together?

Chris ­ We all, sort of, knew each other in various ways, or combinations of people. I've known Dave and James for quite a while, and Dave went to college with Chris, and Dave and I went to college with Dom our bassist, and eventually it sorta came to forming a band. Me, Dave and James were playing together anyway, and after that we asked Chris to join, then we asked Dom to join.

(James appears)

James ­ How you doing?
DT ­ Yeh I'm not bad thanks
Chris (in a quality Irish accent) ­ We're just doing this interview here James

(Laughs)

DT ­ How long have you been together now?

Matt ­ 3 years?
Chris ­ 3
James ­ Yeah 3ish

DT ­ Could you explain what your name means?

Matt ­ Well Ludes is short for Quaaludes, but it is also short for Honda Preludes

(Laughs)

James ­ And it's also a place in France
Matt ­ Yeh, and it's also Czech for 'Crazy Girl', umm I dunno. There wasn't really much thought about it, at the time. It was just a word that was floating around and we sort of had it, seemed appropriate at the time at kind of stuck.

DT ­ I read that your first big gig was in front of 15,000 bikers?

Matt ­ Yeah, and that was only our second ever gig. It was before Dom joined us on bass. Our old manager used to box with a Hells Angel, and umm his mate had this doo going on. We didn't know much about it other than it was some biker festival. We turned up and it was like walking into Mad Max land or something.

(Laughs)

DT ­ How did they welcome you?

Matt ­ Well it was 1 o'clock in the morning when we went on so you know, I'm sure you can imagine what a tent full of bikers are like at 1 in the morning you know what I mean.

DT ­ Since then you've toured with bands such as Franz Ferdinand and Electric Six, what different type of reception did you get with those fans?

Matt ­ With those two bands, I thought we were received really well, because well it definitely wasn't like doing a Hells Angels gig. The crowd were more used to our style of music. But that was a while ago now, and I think we really picked up like, the core of our fan base from doing those tours.

DT ­ What bands have you toured with more recently?

Matt ­ We toured with the Rakes and the Others at the beginning of this year, but that was the last touring we did.

(Dom appears)

DT ­ So what are you doing at the moment? Is this just a one-off gig?

Matt ­ Yeh just a one-off

DT ­ What made you choose to travel from London to Bridgwater?

Dom ­ Someone chose it (laughing)
Matt ­ Well, I like playing places like this you know. Not many bands from London, or big cities get to places like this so it's different from just doing the run of the mill venues. And you get treated a lot nicer, people are a lot friendlier I find.

DT ­ What's a typical day for you like whilst on tour?

Matt ­ Carww, I think it varies from member to member. Chris gets up the earliest, I get up the latest
Chris ­ Dave likes a bit of porridge

(Laughs)

Matt ­ I suppose it depends how you're touring, like if you're on a bus, your routine is governed by when that bus is gunna stop. But if you're in a hotel it's like just wake up, and find food. It's survival, 'Where am I getting my food from?'

(Laughs)

Matt ­ That's as far as any routine goes, then it's just play the gig
James ­ Yeah play and party

DT ­ Have you been out around Bridgwater today?

Matt ­ Not really
Dom ­ I have
Matt ­ Have you? Where
Dom ­ I went to the phonebox

(Laughs)

Dom ­ No I did, down to the Bon Marche J Center (???) is that what it's called? On the corner?
DT ­ I really don't know

(Laughs)

Matt ­ What happens there?
Dom ­ Not much really

(Laughs)

Dom ­ I used a phonebox and that was itlovely town though.

DT ­ Anyways, what genre of music would you put yourselves under? Cus your sound is quite varied.

Dom ­ Well, it is varied
Matt ­ Umm, I dunno. Like my dad says, "We're nothing if not eclectic".

DT ­ What bands have influenced your sound?

Matt ­ I dunno, again I think that's a sort of individual thing.
Dom ­ Well Beatles were always my favourite, but everyone has their own different thing so when it happens, you know. We all bring our own different influences and that, when we play they all come out. I think we all like the Stones though
Matt ­ Yeah there is common ground but it's not as if just stick to that. I guess for me it changes all the time, I always say the Rolling Stones are my favourite band, but really it was the first band I got into. Now I wouldn't sit at home listening to them, recently I've been listening to A Lot of Love, but next week that could change to something totally different.

DT ­ You worked with the Stones engineer Chris Kimsey on the single 'Radio'. What was he like working with?

Matt ­ He was alright! He was quite set in his ways, cus like he's an old dude. He's been in it for a long time, I think maybe because of that he wasn't so into experimentation. Yeah, he's been in this since like the rules were being written, and when you're a young band you wanna like jump off the rails and break these rules a little. He is really good at recording things, like you can't get a better engineer that what he is, he records everything beautifully. For that it was really amazing, just he really loves what he does, and seeing someone working like that was really good.

DT ­ Has he worked with you on anything else?

Matt ­ Just that single

DT ­ Who else have you been working with, like on the album and stuff?

Matt ­ We've just got a limited edition E.P that came out this week, and that we did with a guy called Dennis Dicker, and I think we were the first production job he's done. And we've just been away in Dublin recording our album with Alan O'Connell, same with him he's never produced an act before. I quite like, working with people who haven't done anything before, makes it more interesting because there's no success there, or set way of doing things. So you try more things out, get more out of your time in the studio I think.

DT ­ How far has the album come so far?

James ­ It's all kinda up in the air at the moment
Matt ­ Yeh, we got, we got a lot of stuff recorded, but we haven't had like much mixes back yet. So it's still kind of material, and bare bones. We got a lot of work to do like mixing it and stuff like that

DT ­ When did you start recording?

Matt ­ All of April wasn't it?
Dom ­ Yeh
Matt ­ So yeh all of April, but we haven't heard it in context with things we've already recorded and could yet record so you know.

DT ­ I read that a while back you had your own radio station? What was that about?

Dom ­ Not really, light-years ago I guess

(Laughs)

Dom ­ The word for that station was non-existent it was so bad. It was when we were really young but we don't sorta do that stuff anymore.
James ­ We do have quite a fun club night in London we do, which is like our weekly radio station in Camden. Every other week we do that, but we're taking that out soon to other venues. Everyone seems to be dong club nights at the moment.

DT ­ What record label are you on? One of the Sony offspring isn't it?

Matt ­ It's not part of Sony, it's sort of affiliated on a personnel level, to Sony. But that's as far it goes. Basically their office is like as big as this dressing room

DT ­ Do you have much to do with them or is that just for distribution and things?

Matt ­ I dunno, we don't have a massive involvement with them, we don't see them all the time
Dom ­ Who's that the record company?
Matt ­ Yeh
Dom ­ No
Matt ­ No they pretty much let us get on with it. Ummm It's kind of a weird deal, it can be a bit push and pull at times, but I suppose that's like its gunna be with any sorta record label. Like, it's not as if they tell us what to do, I dunno, what was the question again?

(Laughs)

Chris ­ I mean we get to discuss things in a sense
Matt ­ Yeh we saw them yesterday
James ­ If we really wanted to do something, they'd let us do it. Even with our E.P we're releasing, even though it's not a general release thing we really wanted to do it. We did it all ourselves, did the artwork ourselves, everythingthey printed it. They won't have to distribute it cus you can only get it through the website, and we wanna do loads more things like that. It's not just about putting out singles and albums, but realising that you're an artist, a group of artists and you can do what you want really and that label allows us to do it to an extent.

DT ­ Is that like a benefit of being on a smaller label then?

Matt ­ Yeh I think so cus you don't have the pressure, of like getting dropped.
Dom ­ I suppose like when you sign to these massive labels, cus they've got so many acts on their labels, the turn around is likethey have to make profit immediately, and if you don't, you're fucked, and you have no time to develop really. So I'd say it's sorta like a death really, signing to a major as you're first deal. I think it's fucked to be honest.
Matt ­ But at the same time, umm we could do with more cash

(Laughs)

Dom ­ Yeh
James ­ But then you gotta strike a balance
Dom ­ I think we're in a good position
Matt ­ Well yeh, I mean we haven't even put out a full length record yet
James ­ We're getting free kebabs at the minute
Matt ­ That's what you get at a club
Dom ­ Spent it all on amps

(Laughs)

DT ­ Is there anything you're doing in the nearish future that you wanna say about?

Matt ­ We're doing a few of the smaller festivals, and yeh just a few little gigs really. Nothing major, just sorta plugging away

DT ­ Are you hoping to get onto a major label after doing a few more things?

Matt ­ I think when we have the album completed, we'd be shooting ourselves in the foot if we didn't take t to a major, because I think from what we've recorded so far we've got a really good album there, and I wouldn't wanna release that to, well I wanna sell a few copies of it let's put it that way. I think it deserves to, and I think maybe our label now wouldn't have the means to do it, but the way we have signed our deal is that we can license it on, so it's not like we're signing to a major we still have that control.
Dom ­ We can just use the tools of a major label really, like for the distribution, promotion and all that. Just the tools to make your record as popular as it can be really
Matt ­ I'd like the major label money, definitely, I'd like the major label money a lot.

DT ­ You're definitely after the money then?

(Laughs)

Dom ­ Well as apposed to no money at all. Not the money to put in our pockets, the money to promote our record. Say for example we come and do this, on a major label you'd probably have a few more posters up on the wall, do you know what I mean, whereas on our label maybe you don't get as many posters so people, they dunno, they won't know when they go home. That's what it's about, they help you to expose yourself more to the public.
Matt ­ Also having, just having enough in your personal pocket to be able to live comfortably and be creative. Cus if you don't have any money it's fucking hard work trying to be creative all the time cus you gotta find other avenues to make money, and that takes away from your own personal creativity. If you're a musician, you should be doing that all the time. It's hard to do when you've got other stuff on your plate.

DT ­ Have you got other jobs then?

Matt ­ Yeh I'm a job seeker

(Laughs)

Dom ­ That's the title
Matt ­ Job seekers anonymous

DT ­ Have you had any really bad jobs before?

Matt ­ I've worked in Somerfields. That was shit
Dom ­ I painted my mum and dads house, that was pretty fucking hardcore
Chris ­ Yeh we've all done really bad jobs I think. I was cleaning Underground trains for a while it was fucking terrible
Dom ­ You get soot in your nose. I've done the old road sweeping, five in the morning in the winter. It's freezing cold, sweeping the streets picking up weird things, dead things, weird.
Matt ­ Did you ever find anything really weird on the trains?
Chris ­ Nah, never just horrible things. Horrible bits of shit, gotta watch our for syringes as well mate

DT ­ I'll just ask you a one more thing cus I'm sure you've got things to do, drinking or something

(Laughs)

Dom ­ Only coffee
DT ­ Yeah I'm sure

DT ­ Is that Rich's Farmhouse cider you're drinking?

Dom ­ Yes!
DT ­ Strong ain't it?
Dom ­ So you've experienced it
James ­ Goes straight to your head!
Matt ­ Is it a local thing?
DT ­ Yeah
Dom ­ I wanna buy some and take it home for my dad

DT ­ Ok well that's about it thanks!

Chris ­ Allllrighht
Matt ­ Nice one thanks a lot