From forest stages under disco balls to spontaneous moments of collective connection, Nasiri takes us inside a world where music, nature, and human energy all meet.
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What’s inspiring you outside of music right now?
I feel so very deeply inspired by the rise of awakening that is happening right now. With the world entering a more modern and technical era with tools like AI, and at the same time people understanding what it really means to be smart, which comes from human abilities such as being able to truly predict the coming future and your surroundings, and not necessarily being fast at calculating numbers.
What’s a song in your set right now that feels especially alive on stage?
My track “Misirlou” that was made together with my brother SIAAH, it has its well-known melody that originates from an old Greek song about the love for an Egyptian girl, and it’s also presented in soundtracks such as Pulp Fiction and sampled by Black Eyed Peas “Pump it”. The crowd at my shows always go crazy wild when I play this melody that they recognise. Listen to it HERE.
What’s the most memorable crowd moment you’ve had at a festival or outdoor show?
I really love when spontaneous things happen from the connection of the crowds !
At Goat Festival 2024, I was playing surrounded by the crowd in the middle of a forest up on a mountain under a huge disco ball, and towards the end of the performance, during a very meditative part of my set, the crowd started holding each other’s hands and making circles all around me. As the beat came in and the disco ball started spinning, the crowd started moving, jumping, and screaming all together while still holding strong. It was truly a magical moment that both me and everyone there felt deeply. You can see it HERE.
If fans could see one behind the scenes part of your touring life, what would surprise them most?
There is something special that happens backstage, the connection with new people and all the funny moments that arise.
My most favourite part of the backstage life is actually when I arrive at the different venues to set up and sound check, my friends always say that I’m a bit of a nerd because I’m always talk about cables, equipment and the technical things, so I love to connect with the different technicians everywhere I play, and we always become best friends, setting up the most epic setup together, connecting cables and instruments, setting the table, sound checking. Since I always improvise my performances, I also let the technicians be totally free to improvise with me as they like. In the end, we always finish a one-of-a-kind show that we made in the best possible way all together.
What does summer touring unlock creatively for you that other seasons don’t?
The Summer festivals in Europe in my scene have such loving ambiences and environments that can really inspire you, full of art and community. The ones that are also child friendly always have a more calm and colorful environment, usually in nature. Electronic and world music summer festivals are great for finding inspiration in life.
What’s one risk you’ve taken in your career that ended up paying off?
Wow, I would definitely say that everything in this career, or in being an artist, is all about taking risks. There is no other way than diving deep into your trust against all odds to be able to grow as an artist. And even as you become bigger, the risks become bigger too. I believe that taking risks is a very important and fundamental part of being an artist.
About 14 years ago, I entered a music store that was about to close down in a town located in the middle of Sweden, and found an old school clarinet for about 80€, So I flipped a coin to see if I should buy this instrument with my last pocket money, I didn’t have any plan to start playing clarinet at that time, but I could really feel in my heart that one day I would. The coins flipped yes and I bought it. 10 years later I started playing my clarinet and developed my unique sound with it.
What’s one thing you’re bringing into this summer that feels new for you?
My new music and the countries that I will visit for the first time !
If you could curate your dream three-artist summer lineup (dead or alive), who’s on the bill?
Michael Jackson, Led Zeppelin and Bonobo.
What’s something coming up, big or small, that you’re excited to share with people?
The sowing is beginning to yield a harvest, and the final fruit is called “Nostalgia”, coming out soon.
And finally, how do you find working with Midnight Mango?
I’ve always believed that when you are a curious and open-minded person, the right people come into your life. And that’s how Midnight Mango and my agent Rich came into my life, as they are not just my agency, but part of my family.
