Read about Rich’s story from artist, to freelance agent at Midnight Mango.
Read about Pip’s story from gig goer to agent at Midnight Mango.
Read about Ethan’s story from agents assistant to director at Midnight Mango.
Read about Sarah’s story from local promoter in 1999, to freelance agent at Midnight Mango.
Find out how Sam has developed his roster at Midnight Mango
Find out how Rich works as a freelancer based in the Czech Republic
A roster should develop its own identity. Talent buyers will remember good rosters and the agents that run them. This will make it easier for the agent to develop their network.
A good roster will have an identity of its own. It will form a cohesive group of artists and the agent will become known for the artists they work with. This will make the agent’s work less chaotic and reduce the number of talent buyers they need to work with.
What it says on the tin! In this post we go through the five most common types of deals that music booking agents strike with promoters. Agents need to know when to use each type of deal and understand what they mean for their artists’ income.
Different agencies offer different services. So when an artist joins an agency, whether it is for the first time or from another agency, it is really important that they understand what services the agency offers and what the artist and their management need to organise themselves.