Should live-streamed gigs be recorded and made available afterwards? In this blog, I touch on the importance of how a unique experience in time is more valuable to the audience and the artist if it is kept in the moment.

In today’s blog, I briefly describe three real-life ticketed virtual events that we have going on at Midnight Mango. Each one follows a different model. Each one is viable and will make an income for the artist, promoter, venue and agent.

The new technology which allows streaming is innovative. However, we need innovation in the way it is put to use to really exploit its full potential. In this blog, I discuss another new idea of how broadcasting and receiving can be used by venues.

It’s a real special occasion to go and see your artist perform live. Streamed live concerts will never replace that entirely, but they have already become another offering the artist can deliver to their fans. Here I argue agents have an important role to keep the “Special” in “Occasion”!