Tag Archive
-
Our Equality, Diversity and Inclusion Contract Clause… and Pontins…
In this blog post I address the impact of The Equality Act (2010) on our touring business and how we as agents need to protect our artists and their audiences from discrimination.
-
How can we help to help ourselves?
As a booking agency in the music industry, It’s pretty tough to take on new staff at the moment. But it isn’t impossible. Different models of employment can provide help and support whilst at the same time invest in a company’s future growth.
-
Think small and make something happen!
People who work in music are creative and they need to do creative things to keep it together. So be creative, make events happen, not just for the money – but for well-being as well.
-
What happened to my job at the agency?
Booking agents may have thought their jobs were safe until the end of the Coronavirus Job Retention Scheme – yet many agencies are making redundancies now in August 2020. Why is it they can’t foot the bill now and keep all their staff employed until the scheme ends?
-
You Really Had To Be There!
Should live-streamed gigs be recorded and made available afterwards? In this blog, I touch on the importance of how a unique experience in time is more valuable to the audience and the artist if it is kept in the moment.
-
Let’s Get This Show On The Road
In today’s blog, I briefly describe three real-life ticketed virtual events that we have going on at Midnight Mango. Each one follows a different model. Each one is viable and will make an income for the artist, promoter, venue and agent.
-
Did that show really sell out?
It’s a real special occasion to go and see your artist perform live. Streamed live concerts will never replace that entirely, but they have already become another offering the artist can deliver to their fans. Here I argue agents have an important role to keep the “Special” in “Occasion”!
-
Becoming the expert
In this article I discuss the need for small venues to become skilled at delivering new streaming technology and how this will benefit them in attracting promoters and artists to their stages.
-
I Like Busking But…
I like busking, but throwing up another front room performance with a digital tip jar is digital busking and there is only so much busking I can take before it becomes tiresome. In this article I propose small venues are going to need to work in both the physical and the digital space to survive.
-
Touring In The Digital Space
The industry is flapping around like wounded seal in a roiling sea of digital streaming platforms. In this article, I highlight how one roots promoter has retained their brand and is streaming ticketed shows to their core audience and how this has opened up the possibility of touring digitally at the small venue level.
-
I haven’t felt like this since I was a promoter!
In this blog post I briefly chart Midnight Mango’s journey from promoter to agency. I reflect on how the current coronavirus pandemic reminds me of the financial volatility of being a promoter. If nothing else, it’s healthy to be reminded of that!
-
The Day The Music Died
In this blog post, I briefly discuss the crazy events leading up to lock-down and how we, at Midnight Mango, reacted as booking agents in the live music industry. What a truly insane time to be alive and tho it seems like we have been descending into this vortex for a lifetime, it only actually started a couple of months ago!